Archive for the ‘Education’ category

Tutoring, Melbourne, Australia

February 1st, 2010

Affordable tutoring: $25 per hour

Melbourne, Australia

Danny: B.Sc (Hons in Physics), 9 months Diploma of Education. Teaching experience under supervision.

Physics: Secondary years 11 & 12, University Years 1 & 2

Maths: All secondary years, University Years 1 & 2

Contact: 0411876483

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Chris: LLB, MA (Politics), Diploma of Education. Experienced teacher

Law: University level

Legal Studies: Years 11 &12

History: Years 11 &12, University level

Politics: Years 11 &12, University level

Contact: 0425740614 or 94894776

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Jenny: BA, Bachelor of Education, Grad. Dip. Library Studies. Experienced teacher

English & Research skills: all secondary years

Web design

Computers for beginners

Contact: 0425740614

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What Thorpe said about Australian indigenous peoples

July 30th, 2009
Ian Thorpe
Image via Wikipedia

Ian Thorpe, the Australian swimming hero, addressed the Beyond Sport London conference with the following:

“I realised my value to organisations trying to bring positive change lent enormous weight to these causes. I must say though this should be an outrage, because as an athlete I am not as qualified to comment on health or education as the health professionals and educators who daily tackle the big issues. In fact, it is a bit disappointing that a teenager’s opinion garnered more attention than those who had been working on their chosen causes before I was even born …

“I started to think of what impact my effort could have in places like Africa or South East Asia. I then visited some of the world’s neediest communities, places without access to planes and cars that seemed to be a world away … but now they were truly at my back door [in Australia].”

Thorpe went on to cite some of the problems confronting the indigenous communities with which his organization works: 93 percent of residents are illiterate; 80 percent of children have hearing impairments from curable infections; malnourished mothers give birth to seriously underweight babies; diabetes affects half of all adults; and kidney disease is at epidemic proportions.

“Rheumatic heart disease among the children in these places,” Thorpe continued, “is higher than in most of the developing world. But I was not visiting communities in the developing world, I was in the middle of Australia. Remote, yes, but this is Australia, a country that can boast some of the highest standards of living of any nation in the world …

“Australia’s grim record on health care for Indigenous people is by far the worst of any developed nation. Developed? How can a country be ‘developed’ when it leaves so many of its children behind? Australia has not provided its citizens with an equal opportunity for primary health care, education, housing, employment, let alone recognition and a life of dignity.”

Thorpe told the Beyond Sport summit he once believed that sufficient government finance was provided to its indigenous citizens.

“Like many people in Australia, I was completely unaware of the huge gap in health and education outcomes, let alone the differences of life expectancy. I, as many had, made an assumption; Australia is a rich country, don’t we throw a lot of money at that problem? It disgusts me to speak those words now, but that was what I thought,” he said.

Thorpe voiced the naïve hope that pledges by “all sides of government” to “close the gap” between indigenous and non-indigenous Australians, were “not another hollow promise that falls short”. He noted, however, “The truth is that none of the problems I have mentioned can truly be rectified until our government and my fellow Australians recognise the injustice faced by Aboriginal Australians and how they are denied so many human rights.”

The Olympic gold medalist then went on to direct his fire against the Northern Territory “intervention”, the program initiated in June 2007 by the former Howard government, with Labor Party support, under the false claims that it was aimed at protecting Aboriginal children in the Northern Territory from child abuse. The raft of punitive measures that have since been introduced include compulsory income management of all Aboriginal welfare and pension recipients, suspension of the Racial Discrimination Act (1975) and the seizure of Aboriginal controlled land. Elected to power in November 2008, the Rudd Labor government has maintained these retrogressive social policies in the face of growing Aboriginal opposition.

“The intervention,” Thorpe said, “was constructed by the previous government and has since been reported to have been assembled in the space of just one day. The irony is that Aboriginal people had been campaigning for decades about the living conditions and the neglect of their children within their communities.

“The programs to protect and nurture the children had been grossly neglected and underfunded by government over the last decade. What appears to be a political stunt and a grab for government control over Aboriginal people continues to this day under the new government.

“Once more an Australian government has claimed it is doing its best for Aboriginal Australians by taking over their communities, appointing white managers, more government bureaucrats, promising all kinds of things, if Aboriginal people will just sign over their communities under forty-year leases to the Federal Government. And politicians wonder why Aboriginal people do not trust them. The truth is for over 200 years Australian governments have neglected and patronized Aboriginal people.

“The intervention is unlikely to provide any lasting benefit to Aboriginal people because it tries to push and punish them, to take over their lives, rather than work with them.”

None of this was published by any Australian media until July 24. Thorpe made the speech on July 9, 2009.

Good on ya, Thorpie is all I can say.

Source:  www.wsws.org

Author: Richard Phillips

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Review of The History Boys

July 19th, 2009

Boroondara Theatre Company, Cromwell Street Theatre, South Yarra. Directed by Bryce Ives, with Chris Gaffney, Luigi Lucente, Peter Maver, Elliot Roberts, Stuart Daulman, Beryle Frees, Tristan Lutze, James Cook, Gerard Lane, Riki Lindsey, Fabio Motta and Kevin David Newman. Set design by Jeremy Bailey-Smith. Lighting design by Karla Engdahl.

Alan Bennett’s The History Boys is a near perfect example of what we have come to know (and either love or hate) as the well-made play: grand themes, considered structure and form, and characters meeting, often quite circumstantially, in a unique time and place on their journeys through life. Like many such beasts, however, it owes a significant debt to stories that cover similar terrain – and in the case of The History Boys, that debt is to Tom Schulman’s Academy award-winning screenplay for Dead Poets Society(1989) and the many and various direct quotes from an array of poets, writers and philosophers that lend the play it’s literary talk. But the intellectual and theatrical rigour is all Bennett’s; and war, cinema, faith, religion, politics, philosophy, art, poetry, literature, sport – and of course, history – are all stunningly illuminated, rightfully ensuring that his play deserves, if not entirely, its “modern classic” status.

The History Boys concerns itself with eight boys from Cutlers’ Grammar School in Sheffield, England who are preparing for their entrance exam into ‘Oxbridge’ (a composite of the UK’s prestigious Oxford and Cambridge Universities). Cutlers’ is “low in the league” and its headmaster desperately needs to secure its status and reputation as one of educational over-achievement.

This Boroondara Theatre Company production, under the razor-sharp direction of Bryce Ives, slowly rises and ultimately soars above Bennett’s over-arching tendency towards obfuscation. Ives has literally incised this voluminous play and first exposed, and then connected with, the rich vein of dramatic torque that really powers it: love – in many, if not all, of its guises … young, illicit, of-self, unrequited, flowering, erotic, destructive, but ultimately redemptive. The History Boys may well appear be about the various styles of education and the purposes they serve, but Ives is more determined that we will remember this play as a great love story – no more beautifully realised than in Chris Gaffney’s perfectly-pitched English/General Studies teacher ‘Hector’ whose love of the arts … and his boys … is the play’s foundation stone.

Ives is rewarded by the performances of his astonishingly talented ensemble lead by Luigi Lucente’s dazzling star turn as the piano-playing class stud ‘Dakin’, Peter Maver’s besieged and befuddled ‘Headmaster’, Elliot Roberts’ sweet ‘Posner’ and Stuart Daulman’s charming ‘ruggers’-mad ‘Rudge’. Beryle Frees (as the somewhat unforgivably under-written History Teacher Mrs Lintott) warmed up to take on the play’s famous monologue about the role of women in history, and Tristan Lutze (as tyro Teacher Irwin who is brought in to coach the boys in the lead-up to the exams) searches for his identity and purpose through the minefield of unrestrained, youthful exuberance and curiosity that surrounds him with a marvellous performance of understated sensitivity, conflict and confusion.

But this intelligent, finely balanced, emotionally raw and powerful production relies entirely on each member of the ensemble and James Cook, Gerard Lane, Riki Lindsey, Fabio Motta and Kevin David Newman each bring great skill, creative intelligence and boundless energy to their magical performances.

Jeremy Bailey-Smith’s gorgeous set appeared to create more problems than it solved in the intimate Cromwell Theatre while Karla Engdahl’s stylish lighting design matched the play’s location-shifting demands – particularly through the use of the theatre’s actual windows.

In the final tableau, when Bennett has capitulated to a typically English, stage-bound form of emotional manipulation, this Boroondara ensemble and its handsome production, stood rightfully proud, connected and truthful in the journey of great merit they had prepared and then shared with us … and the profound truth of the line “Art always wins in the end” was this exceptional company’s reward – and ours.

This will be the hottest ticket in town – and for every good reason. Whatever you need to do to get a ticket, do it.

Geoffrey Williams

Source : http://www.stagewhispers.com.au/reviews/history-boys-alan-bennett

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Two left-wing plays on in Melbourne

July 16th, 2009

My partner is in a play beginning tonight in Melbourne called “The History Boys”. It concerns different methods of teaching – a post-modernist theory of history and one which is concerned with facts. Questions of women’s role in history arise as well as how to treat the Holocaust.

You can view the web site for The History Boys.

The other is about two women in Marx’s life and Engels, set in 1873. It depicts the compromises of the women and Engels to Marx while he was writing his philosophy of Marxism, obviously. Is the personal the political?

The web site for this play is Servants of the Revolution

Tickets are reasonable prices.

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The computers for all schools in Australia scheme

July 15th, 2009

Brumby tries to gag principals
Farrah Tomazin
July 16, 2009

VICTORIAN principals are being forced by the Brumby Government to sign contracts promising not to speak out against Prime Minister Kevin Rudd’s computers-in-schools policy — or risk losing tens of thousands of dollars in funding.

In a move that has angered schools and revived memories of gagging under the former Kennett government, principals are being told to sign agreements saying they will not do anything to bring the computer project into disrepute.

The memo, from Victoria’s Education Department, says funding for computers will only be provided once the school has signed the agreement. “Failure to adhere to any part of this agreement may result in being required to repay all … funds,” the agreement says.

» Read more: The computers for all schools in Australia scheme

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